Hello Jazz Pete - and Hooby and pheno.menon. This early thread does merit revival, I think, as hearing instruments are getting ‘smarter’ and may do even more to the signal. Great for voice, bad for music!
First, thanks for the tips about makes: it does seem Widex get praise for musical capability. They seem to blurb about it more than other makers. What we all need is more detailed specifications - such as we see when we buy hi-fi, or even a bottle of multi-vitamins!
We should keep the topic upfront as there is still limited music awareness, among manufacturers and even the people who train UK audiologists, so forgive me please for repeating my enthusiasm here for the work of Dr Alinka Greasley at Leeds University: great research among musicians using assisted hearing.
Those dreaded artefacts: my Phonak (old Naidas) warbled the pitch of notes around D7 (2,349 Hz) by a semitone up and down - so piano practice was an even greater torture than normal. Audiology - after I went back twice - turned that off. Music acceptable, conversation sometimes whistly.
Currently trialling more recent Signia Motion 13: much superior on speech with or without noise, generally cleaner sound, but a quite deep phase tremolo across most of the range. Cars sounded like steam trains.
Audiologist (new and very keen) was astonished, contacted Signia, looked into her incredibly clunky interface, and managed to disable the effect in a Music option. So, some whistles again. I can live with those, but the auto-volume levelling is entirely unsuited to music: too syllabic, with clicky overshoots. Turns my lovely Yamaha acoustic into a honky tonk! Chopin/Chopsticks.
When it’s safe to go back, I shall have to see if Widex can be offered by our local section of the NHS. Thank you each again for insight.